Month: November 2014

Why do arseholes succeed?

I’ve just finished reading an article about why many of us love Über despite the fact that it’s run in an extremely douchebaggy way by a complete douchebag. (More Über douchebaggery analysis here; more Silicon Valley douchebaggery examples here.) 

The main answer can be found in these paragraphs from the first link:

Amazon — more than any other company, more than Google, more than Facebook, more than Apple — taps into what people desire in a terrifyingly primal way: We want a thing, fast and preferably cheap. Not much else matters. We know Amazon’s not a nice company, and that the people who work there are treated poorly. We don’t always like it, but there is absolutely, definitively, nothing we will do to stop it. We are happily addicted.

And that, in the end, is the real reason so many people hate Uber: Because whatever we do, we can’t stop ourselves from making it bigger and more successful and more terrifying and more necessary. Uber makes everything so easy, which means it shows us who, and what, we really are. It shows us how, whatever objections we might say we hold, we don’t actually care very much at all. We have our beliefs, our morals, our instincts. We have our dislike of douchebags, our mistrust of bad behavior. We have all that. But in the end, it turns out that if something’s 10 percent cheaper and 5 percent faster, we’ll give it all up quicker than we can order a sandwich.

So all those years ago, when Bill Bernbach said that a principle isn’t a principle until it costs you money, he was right and we haven’t changed by a single atom.

But I think the guiding fundamental of human behaviour here isn’t that we’ll fold our principles like a cheap suit when money and/or convenience are on the line; it’s that we are creatures of cognitive dissonance, and that’s hard to get our heads round. That link says we like to reduce the internal conflict we often end up facing (‘So the CEO of Über is a giant prick; but if I didn’t use it then those nice drivers wouldn’t get paid’) because the overall effect is mentally stressful, but we still take it on, day after day.

And unfortunately, life isn’t a series of binary choices where one thing is good and another bad. We have to add up the contributing factors then make a choice based on what comes out on top: ‘I really hate being hit by my husband, but if I leave him I’ll have the discomfort of living somewhere shitty and having no money to bring up the kids, so I’ll stay.’ ‘That chocolate bar is unhealthy but if I exercise tomorrow I can negate its effect’. ‘Facebook seems kind of dodgy, but I love sharing cat videos with my friends more than I worry about my private information being sold to random corporations’. You do what you do because you prefer it to the alternative, and sometimes that’s hard to accept.

So there’s the bugger. Interestingly, this guy seems to think mean people fail, but the annoying thing is that many of them succeed, so there’s no incentive to be a nice guy, and anyway, who decides what behaviour is bad or wrong?

You pays your money, you takes your choice then you live in the world you help to create.



I’m Rick James, Bitch (the weekend).

Vinyl hoarders.

If you haven’t seen the Tourettes karaoke version of Glenn Medeiros’s ‘Nothing’s Gonna Change My Love For You’, you’re living life like a fucking amateur:

https://www.youtube.com/watch?v=2WKCtm14VVs#t=43

Grandmas smoke weed for the first time (the above two links are via the excellent Ignored Prayers blog):

Disney Fails (again, via IP).

Goth fitness:

Worst mosh pit ever.

He’s not gay no more (all this good shit is from IP. Let me try to find something I didn’t see there).

The Shia Laboeuf song guy also did a song about Christian Bale:

And another very impressive one:

Behind the scenes of Fight Club (thanks, J).

Christopher Walken in the Air (thanks, S):

https://www.youtube.com/watch?v=Hrog3eAo9ks#t=14

 



While we’re on the subject of commencement addresses

This is supposed to be the best ever.



Enjoy the highlights of Jim Carrey’s commencement address



More to read: a creative director changed genders

Full story here.



I’m in Tokyo and my mind is far from advertising

Any tips for things to do would be gratefully received.

If you still need something to read, here’s a post from some other CD on how he does his best stuff.

楽しむ



We’re all someone’s daughter, we’re all someone’s son. How long can we look at each other down the barrel of the weekend?

Lady poos self while twerking (thanks, J):

https://www.youtube.com/watch?v=4eANZZGjke8

Alan Partridge Lorem Ipsum (thanks, T).

The town of Twin Peaks sculpted in clay (thanks, T).

Ker-azee Chinese music video (thanks, J):

Data maps of London (thanks, D).

Japanese clothing with random English words (thanks, P).

Silhouettes in movies:

http://vimeo.com/112001790

Delightful street driving in LA:

Wonderful spotter of Christmas ad cliches (thanks, J).

Elizabethan super heroes.

Excellent Ferguson animation:

https://www.youtube.com/watch?v=-ixRx4kOBPU

Seinfeld and Wale talk ‘the list’:

Do viral life hacks actually work?

Very funny Key and Peele sketch.

You need a Smart Pipe:



NOBODY BUYS IDEAS. NOBODY. They buy the execution of those ideas.

Here’s the article on screenwriting that sentence came from.

I’ve had a few chats with people who (think they) have had a great idea for a script and asked me (as if I’d really know) if there was some kind of market for those ideas. ‘Well’, I would generally begin, ‘No. No there isn’t.’

I think this situation exists in all areas of art (unless, as the article continues, you have already proven yourself to the extent that someone would believe you could execute seven shades of shit out of an interesting idea). This is because the execution is where the road meets the rubber. I’m fond of explaining the plot of my novel to people, and when they respond in a way that suggests they’re unsure such a story would be worthy of publication by Penguin I point out that ‘Dinosaurs run amock when they’re brought back to life on a remote island’ would not necessarily seem like a great plot until it was executed brilliantly by Michael Crichton.

In the screenwriting world a premium is placed on the ability to produce a plot that can generate a good logline, that is a distillation of the concept to a couple of appealing sentences. Yes, that can indeed be very helpful, but it’s about 2% of what someone really wants to buy. Either it’s the key to getting a producer/director/rich bloke to read the full script, or it’s a way of getting someone interested enough to pay you to write the full script. On its own it’s as valuable as a dead dog’s cock.

So have a great idea, but don’t start celebrating until you’ve done the months of work required to execute it.

 



The icing on the cake

https://www.youtube.com/watch?v=ZiCtWX7J69I&feature=youtu.be



Here’s an excellent blog

Mark Fenske is a bit of an ad legend over in the States.

Fortunately for you he’s kindly written a blog with lots of great advice.

And here are his 14 anti-laws of advertising.