Adults can be just as amazed and amazing as children

Last week I watched a calf being born. It was really cool circle of life-type shit, where I could envisage the little blighter becoming my spaghetti bolognese in a few years time. With me were my wife, who also found it amazing, and my kids, who were far more blasé about it. They’re seven and three and didn’t find it nearly as compelling as an episode of Adventure Time.

So it occurred to me that we often hold up children’s ability to see the wonder in everything like it’s some special super-power that we should all aspire to. They see some marmite on toast and gasp, ‘Wow!’ and we think, ‘Shit, I am such a cold, unfeeling, dead-inside bastard that I cannot see the wonder in a slice of marmite on toast. And my God, there is so much wonder in a slice of marmite on toast. How the hell do they extract that black goop from yeast? Who had that idea? And the toaster – so incredible. Works every time to heat up my bread. Fucking amazing.’

Or not.

Anyway, kids get amazed at everything and we don’t, so the cliché goes. But actually adults get amazed at waaaaaaaay more things than kids.

When I take my son to see Arsenal play I get a ton more out of it, and find it much more amazing because I have a shitload of context with which to make eleven overpaid blokes running around after a ball seem far more incredible that it first appears. All the preparation it takes to make a big game of football happen, the wages, the transport, the negotiations with huge organisations, the way a run down the channel can be a really clever way of making the most of the false nine in the hole etc.

My son has no idea about any of that, but I do, and as a consequence I find much more amazement in that situation than he does. Same with the art in an art gallery. Sure, he loves those McDonalds carvings the Chapmans did that are in Tate Britain (check them out, they’re very cool) because they’re kind of funny, but I see the Hamburglar-as-Jesus one and find it much funnier because of all the Jesus shit in my head. I like it in the way Jackson does, but I also like it in a million other ways that all fill my head at the same time.

Sure, the first experience of something is usually far more affecting than the 109th time, and in that way the kids have the upper hand, but we can find the layers that are invisible to those without sufficient context. To a kid a nice coat is a nice coat, but for a grown up it might have some great stitching or a way of working with a shirt that is just right for 2013. Hitting a ball into a small hole from far away might impress a six-year-old, but when it’s the winning shot on the final hole of the Ryder cup he’s going to be missing out on a whole lot of other stuff. Stevie Wonder’s music is the best, but until you know he wrote and performed it blind and at fifteen years old, Uptight is only 10% as impressive as it could be.

Where is this going? Not sure, but it made me realise that we can beat ourselves up for all sorts of bullshit that really isn’t there. A little more thought and you might realise that you are more incredible than you thought, and certainly much better than some snot-nosed little kid who goes ‘Ooooooh!’ just because he’s seen a pigeon.

Hooray.



Step back, motherfucker – the weekend is here

Guys with photoshopped girlfriends (thanks, J).

Gotta love Shynola (thanks, M):

Great shots of WW2 ammo (thanks J).

Advertising a cafe that used be a toilet.

Jim Jarmusch’s five rules of filmmaking.

John Lennon on The Voice (thanks, B):

Seduction tips from Vanilla Ice (thanks, R).

Brilliant story of Louis Armstrong interview:

Exploding actresses (thanks, J).

Jack introduces Bob (thanks, T):

http://vimeo.com/63888953

10 insane movie theories.

Another great Howard Stern interview:

http://www.youtube.com/watch?v=ROJFK8CB1J8



Cannes: the best of the second best

Last week the jurors of Cannes awarded Dumb Ways To Die an unprecedented 5 Grands Prix, as well as 18 Golds and some other Lions of various colours.

In case you haven’t seen it, here’s the case study thing:

It’s a nice campaign, but I must admit I got through about two of its three minutes before turning it off (no offence to the people involved).

Around the time its creators were rustling up an excess baggage payment for the flight home, one of London’s CDs was pointing out that by far the biggest ad/PR/Promotion/Innovation/Titanium thingamijig from last year won nothing, presumably because no one entered it:

https://www.youtube.com/watch?v=7f-K-XnHi9I

The Red Bull space jump was seen live by millions around the world and it was universally positively received and perfect for the brand. The organisation and promotion of said stunt beggars belief and (sorry, little cartoon characters) was a far bigger and more impressive achievement than DWTD.

So my next question is: if the very best in the world aren’t entering Cannes, why not?

I’d say it’s because they’ve just created a worldwide stunt where a man jumped to Earth from space, so they might just be finding it a little tricky to give a toss about a tin lion (though that didn’t stop the makers of London’s Millennium Wheel or the Milau Viaduct from entering them into D&AD a while back – sheesh).



10 great commencement speeches by writers…

…can be found here.



Step back, motherfucker – the weekend is here

Guys with photoshopped girlfriends (thanks, J).

Gotta love Shynola (thanks, M):

Great shots of WW2 ammo (thanks J).

Advertising a cafe that used be a toilet.

Jim Jarmusch’s five rules of filmmaking.

John Lennon on The Voice (thanks, B):

Seduction tips from Vanilla Ice (thanks, R).

Brilliant story of Louis Armstrong interview:

Exploding actresses (thanks, J).

Jack introduces Bob (thanks, T):

http://vimeo.com/63888953



Remember the fuss about the Proster?

Ten years ago there was a great big kerfuffle about the lack of copy in press ads.

For four years running the best ad at the Campaign Press Awards (by the way, is it just me or did those awards seem worth winning back in the day? Nowadays we have the strange smorgasbord of the BIG Awards and its expensive hardback annual that no one really wants, and of the ones who want it no one can really be arsed to read through it all. Not like the old Press Awards pamphlet which, like the Poster Awards and BTAAs, arrived with your Campaign the next day and told you quite clearly who all the winners were. Now no one knows and even fewer people care) was won by an ad with not a single word beyond the name of the client. This led to much prediction of the end of the written word in advertising and was capped off by Trevor Beattie christening this thing the ‘proster’.

It also inspired Robin Wight to write this article.

In those days there was a definite formula to winning at Cannes and it involved using as few words as possible to appeal to jurors from lots of countries who might not appreciate the intricacies of the English language. It also showed a reductive elegance, getting a message across with as few elements as possible to show Maximum Meaning, Minimum Means. 

But if you look at the press and poster winners this year there are words all over the place. Perhaps not loads of headline-visual-body copy executions, but certainly something more complex than the old proster. Is this a trend or was the proster not so much a trend as a little blip or coincidence?

Perhaps it all goes to prove the answer to that great riddle: what four words can make a sad man happy and a happy man sad? 

First one to get the right answer gets the satisfaction of doing so.



4 down: End of the week (7)

RIP James Gandolfini, and RIP Tony Soprano: an in-depth analysis of why he died at the end of the series (thanks, J).

Non-drummer drums; non-pianist plays piano (thanks, G):

Gunplay supercut:

Fighting supercut (thanks, G):

http://www.youtube.com/watch?v=4fZzxMZ9hLU

All about plot holes.

A history of protest.

I think that was done by Richard Curtis. Here’s the flipside of him (thanks, W):

Movie locations as holiday destinations (thanks, G).

George Carlin on snitches:

Make things do stuff (thanks, V).

Peter Jackson answers Stephen Colbert’s fan question (thanks, G):

Jackie Chan fought with Bruce Lee (thanks, G):

David Cameron shouldn’t check his Twitter feed.

A Cheers outline.

Troy MacLure supercut (thanks, G):

http://www.youtube.com/watch?v=cYNZ1PMdO1M

When the Harlem Shake goes wrong:

http://www.youtube.com/watch?v=mlNwyyijHF4&feature=player_embedded

How a Brazilian tribe converted a missionary to Atheism (thanks, G):

http://www.youtube.com/watch?v=dr3q6Cid1po

Cool bike shit:



One Cannes Victory I can guarantee is not scam

The Press Grand Prix was won by Media Arts Lab, OMD and Apple.

When I first saw that work I said it was the best press campaign I’d seen in years.

I love it as a customer and as a MAL CD.

Congratulations to the many people involved.

Comments disabled.



Cannes Outdoor

You know I can’t put them up, but check the GP and Golds here.

I could be wrong, but I’d call bullshit on Sharpie, Stihl, L’Oreal, the printer ink thing and Schtick.

But I love those Swiss Life ads, and Bancolombia (although they also look like scam).

What do you think?



Another stunningly fine essay from Rory Sutherland (although he’d probably prefer me to title this post: ‘Read this and become 17% cleverer’).

These are the words I type so I have something to stick the hyperlink on.

And while you’re here, this is an article that is more relevant to Monday’s post, but I know you’re already over that:

Joss Whedon on Getting It Done.