1994 – year of the poster
In 1994 I was doing a summer job in Brentford. It consisted of typing the numbers that some phone salesmen had sold to some people or something into a computer (interestingly enough we held all this information on pieces of ‘paper’ that were stored away (or filed) in metal cabinets. One day the computer bloke came in and claimed that we would soon be able to store these items in an ‘electronic’ form, ‘scanning’ them in like so many pictures. I still don’t know if he managed it, but he was a sharp kinda fellow, so I think there’s every chance his kooky wee plan came to fruition).
Anyway, it was as boring as you might imagine, and if it were not for the fact that my computer also had solitaire and the guy next to me, Michael (who became literally my first proper friend of Afro Carribbean descent – heady days), was incredibly funny I think I might have committed all kinds of suicide. Have I mentioned that I was saving up for a club 18-30 holiday to Ibiza? Good Lord, what was I thinking?
But the one thing I remember as a shining beacon of enjoyment from those dingy days was the fact that my bus route took me past some of the best posters in the history of advertising.
(For some reason my bastard blog host is refusing to let me put pictures up, so you’ll just have to look them up in the 1995 D&AD).
There was Nike’s ’66 was a great year for English football, Reg and Al larking about, Hello Boys, the Hello Girls Billy Connolly tribute next to it, The Economist, Polo and even good ones for movies such as The Mask.
Howsaboutthat?
Now you know what I’m about to say: why aren’t there posters of that quality these days? None of the above was particularly expensive, or particularly hard to put together (of course it was hard to get the art direction and copywriting right, but these were not major production jobs), so money and time should be no excuse, but Sunday Times Rich List aside, I really struggle to think of great recent British posters.
Any ideas why that might be?
(By the way, I know they’re called Out Of Home now – or even more ridiculously, OOH. I remember the first time I saw that on a brief and genuinely thought some sarky planner was taking the piss. ‘Review the OOH work on Wednesday’ – say it like John Inman and you’ll see what I mean. Anyway, OOH makes zero sense as a name for this stuff. What about cinema ads? They’re Out Of Home (unless you live in a cinema), and what about radio ads that you listen to at work? Oh forget it.)
I’ve just finished listening to Alan partridge’s audio book.
And now everything you’ve just written has a partridge accent.
I can’t help it.
Have you always written like him.
I’m bamboozled.
Posters are shit because a) most UK creatives can’t write them anymore, or b) because they just end up carrying all the product guff that agencies want to keep out of their telly ads. Or c) because you don’t need to write real ones to win awards these days. There’s probably a d) but it’s late and I’m too grumpy to think of one.
I seem to remember some poster that had a close-up of heel, which looks like a bit like a nose, for odour eaters other than I can’t think of any off the top of my head.
I vaguely recall I did San Antonio Club 18-30 (Hotel March) back around then too! SPOOHKY. See what I did there…I’ll get my coat.
i remember when i lived in the east end. leyton, and later the posher leytonstone i used to love the posters. the UK was killing it there for a long time.
Why no good posters? Because the bellends are in charge these days.
Why no good posters? Because the bellends are in charge these days.
Ben,
A few weeks back, I was asked to give a talk about what everyone had voted the 100 best posters of the last 100 years.
So I went through them all and picked what I thought were the best,
regardless of when they were done.
About half way through, someone yelled ‘Haven’t you got anything from this decade?”
I got grumpy, we had a row, and he walked out.
Later I checked and, out of 40 posters I showed, 8 were from this decade.
That’s 20%, so this decade was actually over-represented by 2 to 1.
But for some reason, neither of us had spotted that.
So, IMHO, there are still some nice posters being done.
For some reason, it just doesn’t feel like it.
For once I shall be very single-minded in my comments, and put it down to a lack of single-mindedness. Clients have less money by & large, which they’re spending on more agencies across more media & so feel they have to say as much as possible in all their comms. Posters will always be the biggest casualties of a lack of single-mindedness.
I blame the parents for pulling strings to get their children hideous summer jobs! You’ll be glad to hear it’s a restaurant now.
Hi mum. I think it could have been worse, but the commute was a right arse.
Dave: I think there have been plenty from this decade, but I’d skew them more towards the earlier part. Not much since 2005 IMHO.
G-L: I think this post might be particularly Partridgean due to its semi-ironic self-referential archness. But then maybe all my posts are Alanesque. Maybe this comment is.
@Vinny I love any situation where Leytonstone is considered ‘posher’.
@vinny i also did the leyton/upgrade to leytonstone.
home of hitchcock. don’t you know.
Most media owners are gradually moving towards DOOH – digital posters. In fact, most of the prime sites in London already have.
In theory this should usher in a new age of engaging, interactive posters that make your heart sing with their immersive, impactful creative, while also delivering a code to your iPhone, which in turn fires off a witty tweet to your followers, which in turn makes them love the brand, love you, and love the simple fact that they have the privilige to be alive during this golden era of digital integration.
In practice, it’ll actually mean three metre tall online banner ads EVERYWHERE.
Just lie back and think of the ambient you might (won’t) get to do.
That summer job to now. Guessed you’ve just moved sideways then.
lovely poster in this old brad elterman shot (via itsnicethat)
http://www.bradelterman.com/gallery_12.php
Everyone’s trying to do some social media crowd sourced 2.0 bollocks these days. So most media channels are being used to direct people to something else rather than use the medium for what its best for. Look at that Bing JayZ shite. Probably the most boring posters I’ve ever seen.