Inception
So I’ve just seen Inception and it is really bastardly good. Beyond that there’s not a lot of point in going into it. The plot is actually quite difficult to spoil, but if you like movies, just go and enjoy the ride. There’s also little point in me trying to review it because others will do it much better.
I guess, as someone who blogs about advertising, it might be worth making a point that occurred to me that surprisingly linked one of the best films of this century with our much maligned (by me) industry:
As I was watching scenes that, quite frankly, blew my fucking tits off, I did think that it was a shame, with reduced budgets and fearful clients, we tend, as an industry, to have left the jaw-dropping and the dark behind. The kind of amazement that Surfer and Twister used to generate had been replaced by a more everyday excellence (Old Spice guy, Dove Evolution girl, Gorilla) that pleases in a less impactful way.
Then I remembered this and realised that was complete and utter bullshit:
Honestly, Carousel could have been a scene in Inception and would not have looked out of place. Those opportunities to be dark, adult, intelligent and ground-breaking may be few and far between, but at least they exist.
Perhaps that’s something worth clinging to.
Alternatively, you might think that the chances of you getting to make something like that are so small, you might as well not bother trying and will instead choose to resign and go and work in the movies. You might also acknowledge that for all its brilliance, Carousel will have roughly one trillionth the longevity and cultural impact of Inception.
Be a hero in a tiny industry or create deep, resonant art that will make people thank God that you’re alive?
Just measure your ambition and act accordingly.
We just got a TV brief with a ¬£15k production budget…wonder if Adam Berg wants to come on board?
you’re right, there’s not enough dark almost horror-feeling advertising. i’ve been sucked in a few times by the Budweiser frozen hotel room scene. apart from its cliche rooftop finale, it’s the only ad that engenders a reaction besides ‘LOL’, ‘nostalgia’ or ‘celebrity awe’ – there’s a tinge of suspense, action and tension to it. or maybe im just stoned.
funny we were talking about exactly this recently at Pod HQ. Time for some big films!
juan is back with some shite for eurostar
http://www.creativereview.co.uk/cr-blog/2010/july/say-hello-to-eurostar
‘Exploring is beautiful’?
What the fuck, Juan. That’s a terrible line!
I think it’s interesting that the new Eurostar ad comes out as you’re making this comment. I saw Inception on Sunday and it is an awesome film. And I think the comparison you make with Carousel is interesting. Eurostar are trying to associate their brand with all the things that make this world such a happy clappy fuzzy wuzzy ball of loveliness. Which is a well trodden path for brands and is absolutely not true. Hence it’s not very good. (Actually, it’s a bit like that Heinz Salad Cream ad from a few years ago, though that was infinitely more charming). Inception is big, bold and dramatic, as is Carousel – instantly more memorable. And that’s sort of the point.
Eurostar pile of utter shite.
Interestingly in comparison CR’s commetators celebrate the work with such wonderful reaction; lovely/sweet/very cool/delightful.
Tossers.
The Matrix and it’s bastard offspring. Get to fuck. Big YAAAAAAAAAAAAAWWWWWWWWWNNNNNNNNNN.
Ben-kay…
[…] something about ben-kay[…]…