Month: September 2014

Nice ad for something

If I told you what it was for it might spoil the twist, but it’s very rare I have to (or want to) write that before an ad I post.

Interesting angle on an old brief: funny, charming and definitely worth a share.

Nice one (interest declared: several friends involved.)

 



Donna found us in her slow and dreamy way, I can’t hear a word the waiter says. She’s looking older now… The colour of her hair. She walks into the room and pleased to find the weekend.

38 maps that explain the world (thanks, C).

Great music billboards from Sunset Strip (thanks, J).

Seinfeld emojis (thanks, D).

A little doc on the great (Apocalypse Now) cinematographer Vittorio Storaro.

Hangovers illustrated by taxidermy (thanks, E).

Awesome story, yo.

Great analogies from English students (thanks, C).

The worst musicians of all time (thanks, N).

I just cried laughing at this analysis of Viz perv-baker Fru. T. Bunn.

Mad Men lessons on effectiveness (thanks, A).

Marlon Brando rips Burt Reynolds:

Wu Tang Clan sung by the movies:

What the fuck does the colourist actually do?

How to make McDonald’s french fries (not what you think; thanks, A):

Shots of movies in their real locations (thanks, J).

Jack Nicholson interview (thanks, J).

American Psycho, from book to screen.

Dalek relaxation tape:

Nicki Minaj vid with added flatulence (thanks, P).

And here is how we rock the house, 80s stylee (thanks, J):

https://www.youtube.com/watch?v=Fy69QAJLUls

And if you like tennis, check my friend Dan’s tennis blog.



When a man you’ve never met before suddenly gives you flowers, that’s stalking.

For some strange reason I woke up this morning with the laborious but famous endline of this campaign in my head:

If you grew up in the UK in the 80s you will remember well the tiny variations of men, flowers and Impulse-drenched ladies that filled the airwaves, seemingly all the bloody time.

So I just thought I’d cathartically get it out in a blog post.

They were a bit shit, really, but then someone managed to finish off the campaign by giving it a twist and getting in the D&AD annual:

https://www.youtube.com/watch?v=gdAW8oJu0pg

(If that video doesn’t work, Google ‘Impulse Art School’.)

On reflection I’m surprised that was allowed to be on TV, I mean, if that had happened in real life I’m not sure how funny the art class would have found it.

Then again, maybe we need more implied erection deodorant ads on TV…



Oh look! Someone’s worked out how to save the world!

(Thanks, D.)



Society as a Failed Experiment

Here’s a thought-provoking post from davidswanson.org

There’s little dispute among social scientists that most of our major public programs are counter-productive on their own terms. There is also little analysis of this phenomenon as a pattern in need of an explanation and a solution.

Prisons are supposedly intended to reduce crime, but instead increase it. Young people who when they commit crimes are arrested and punished become much more likely to commit crimes as adults than are those young people who when they commit crimes are just left alone.

Fixing public schools by requiring endless test-preparation and testing is ruining public schools. Kids are emerging with less education than before the fix. Parents are sending their kids to private schools or charter schools or homeschooling them or even pulling them out of school for a few months during the worst of the test-preparation binging. 

Free trade policies are supposed to enrich us. Trickle-down tax cuts for the wealthy and corporations are supposed to enrich us. We keep trying them and they keep impoverishing us.

War preparations are supposed to enrich us, but impoverish us instead. War is supposed to protect us, but generates enemies. Or war is supposed to benefit some far away place, but leaves it in ruins. Is more war the answer?

When a road gets crowded, we enlarge it or build another road. The traffic responds by enlarging to fill the new roads. So we cut funds for trains in order to build yet more roads.

We’re several times more likely to be killed by a police officer than by a terrorist. So, we give police officers weapons of war to make us safe.

We’re making the earth’s climate unlivable by consuming fossil fuels. So we ramp up the consumption of fossil fuels.

Guns are supposed to protect us, but the more we spread the guns around the more we get killed intentionally and accidentally with guns.

What causes us to pursue counterproductive programs and policies? And why does it seem that the bigger the program is the more we pursue its counterproductive agenda? Well, let’s look at the above list again and ask who benefits.

We’ve made prisons into a for-profit industry and an economic rescue program for depressed rural areas. Enormous profits are being made from children who abandon public schools; from the point of view of those profiteers there’s every reason to fix schools in a manner that actually makes them horrible. Corporate trade pacts and tax exemptions for billionaires don’t impoverish everyone, just us non-billionaires. Some people get rich from road construction. Weapons companies don’t mind when one war leads to three more (especially if they’re arming all sides), or when police pick up used weaponry that can then be replaced. Oil and coal profiteers aren’t focused on the inhabitability of the earth. Gun manufacturers aren’t worried about how many people die so much as how many guns are sold.

What keeps us from seeing this as a pattern is the myth that we live in a democracy in which decisions are made by majority opinion. In reality, majority opinion is badly distorted by anti-democratic news media and largely ignored by anti-democratic officials. 

Major public pressure will be needed to change this situation, to strip corporations of power, ban bribery, provide free media and public financing of elections, and create a democratic communications system.

We should begin by dropping the pretense that we’re rationally testing policies and adjusting them as we go. No, the whole thing is broken. Experiments keep failing upward with no end in sight. Enough is enough. Let’s change direction.



David Fincher’s Gap ads

With some added guff here.

I think they’re a great example of how a top director can make a slight concept feel much more substantial and rewatchable.

They’re clothes ads with the basic concept that the person who wears the clothes looks good (seen that before a few times), but there’s a loose freshness to this angle that elevates the campaign.