upwardly mobile?

bankside_23Since I emigrated a few things seem to have changed in the London ad scene. One of them appears to be a massive movement of some of London’s biggest agencies. DLKW Lowe has moved from South Kensington to Old Street, Publicis has bought a huge building in FarringdonOgilvy is about to move to the South Bank, and already over there are both TBWA and AMV BBDO.

So, what’s it all about, Alfie?

I assume the driving reason is financial, because that’s the driving reason behind the vast majority of corporate decisions these days. Thousands of square feet in the West End/Marylebone/South Ken etc. will always cost more than the equivalent further out of town, so if your lease comes up, the cheaper option is likely to be a move. Odd that so many are happening at the same time, though, and from different holding companies.

Anyway, as I work in a pleasant office in Marina Del Rey, some 5500 miles away, I have little firsthand knowledge of all this, but I did experience a similar situation when my agency moved from the West End to Spitalfields in 2007. I was initially not keen, partly because I  had never been there, despite living in london for 34 years, but when we made the move I loved it. It turned out that we were a stone’s throw from W&K/Mother in a vibrant and creative part of town. Yes, there was also a nearby cunt soup of besuited cityboys, who I assume were at that very time fucking the entire planet up the arse for shits, giggles and cash, but if you kept to the right side of Commercial St you barely saw them. So despite being much further from advertising’s traditional home, and my own home, I’m glad we moved.

But what of the rest of you? How are the TBWA-ers, AMV-ites and Lowe-ingtons feeling about their new environment? I’d assume that the new location is one thing, but what about the office spaces? Better? Worse? More or less conducive to producing great ads?* (Interestingly, I see that A&E DDB is staying put. Is that a good thing or a bad thing?) Is being close to Tate Modern a reasonable trade-off for being so far from Selfridges? Are the South Londoners happy while the North Londoners are miserable?

Let me know in the comments section, which might be tempered slightly because I’m an Omnicom/TBWA employee.

 

 

*Obviously I don’t mean ‘great’ ads as in properly great, like Guinness Surfer and all that. No one in London is doing that, and nor have they since Cadbury’s Gorilla. But more like the new definition of ‘great’ – the kind of stuff that would have won BTAA Silvers ten years ago.



Guest Post

Angus Wardlaw writes:
ANYTHING BUT ADVERTISING?
I have a filthy, dirty admission to make.
I don’t think digital marketing is helping to sell stuff.There, I’ve said it.

And now that I have, I can already hear the whining Toyota Hilux of the Interactive State hysterically bouncing over the dusty berms towards me as the beardy guy on the back cocks his RPG 7. 

I fear there is no longer a place to hide in the open plan, slightly more cost-effective agency spaces of Noho, Hoxton, Shoreditch, Clerkenwell, or the newly Omnicom-annexed Southbank for an infidel such as I.

But then, do I really want to sell my soul to write mood films and then call them adverts (because it went down soooooo well at the client conference?) 
Do I really want to face yet another group-ideation circle-jerk of game-changing, story-telling content as everyone absentmindedly FBs their friends from behind their MacBook Pros? 
Do I really want to lavish a thousand billable hours of frame-by-frame crafting into case study films that boast of ‘not creating a campaign, but a movement’? 
Do I really want to squander even more billable hours drawing up storyboards for user-invisible 234 x 60 pixel half-banners (when, actually, it would take less time to come up with a proper idea for a half-decent poster that could actually be scanned by the real retinas of a gazillion commuter’s eyeballs, infinitesimally). 
Or a television commercial that, when done well, would doubtless be remembered for considerably longer than the Planck time it takes a Millennial to press SKIP on the YouTubes for an ill-advised RBS financial product pre-roll?

Do I really have to defend any semblance of an idea by wielding the light sabre of Web analytics and other faux-statistical trex that can be measured in clicks, or likes, or hits (anything other than silly sales goals).

Do I really want to spend my evenings rubbing against pushy craft-beer-addled yuppies hiding behind their peak beards in crowd-funded experiential pop-ups in that famuuussss street under the micturated arches of Waterloo Station… or try my hand at a projection-mapped virtual skatepark on the AstroTurf of that totes deck ‘city’ made from re-purposed freight containers dumped across the road from Shoreditch House? 

Do I?

Do I really need to “change my tomorrow” and get a hacker mind with an MBA in Geofencing, coding (give me strength!), viral immersion or social labbing from Hyper fucking Island?

Does anyone really want to do any of this?

Of course they do. 
Because they don’t know any better. 

That is, until ad blockers really start to kick-in and cram themselves into our bony little, lazy-client-pummelled bottom-lines.

Then we’re all going to have to hobble out of the shadows, pick the cellophane off that layout pad with nails bitten to the quick (good luck with that), and suck on our Pentel rollerballs as we try to remember how we all once did A.D.V.E.R.T.I.S.I.N.G.

Perhaps even without using cats?

 

(Apologies for the squashed type. That’s what happens when I copy and paste into WordPress.)



Come down off your throne and leave your body alone – somebody must change. You are the reason I’ve been waiting so long – somebody holds the weekend.

Why CGI now sucks (thanks, J).

Logo fails.

Interstellar – across all dimensions and time (thanks, D):

https://vimeo.com/130101757

Ramen bath (thanks, Y).

The Simpsons world, mapped (thanks, J).

Interview with the creator of the sublime Deadwood (thanks, J).

Billy Crystal does a remarkable impersonation of Muhammad Ali:

https://www.youtube.com/watch?t=16&v=fp3NkM2HbmM

Disney recycled animation:

https://www.youtube.com/watch?v=pbjVjZrrE3w

https://www.youtube.com/watch?v=cmOo_pYMG1U

 



How to win a Cannes Grand Prix

A pair of (apparently) very talented placement creatives called Oli and Josie just sent me this excellent Cannes Grand Prix generator.

They have some other cool stuff on their site.

Check ’em out.



I have literally no idea what on Earth this is about

IMG_9354

IMG_9351

 

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I know I’ve been out of the country for a while so I might not have sufficient context, but I am utterly clueless as to the intention of this campaign.

What’s it saying?

Who is it saying it to?

And, most importantly, what the hell has it got to do with coffee?

Golden opportunities await? Yes, OK… Are these moments something you wait for while you’re at work? Do you drink coffee when you get back from work? Do you miss these moments because you’ve been making coffee? Should you make instant coffee such as Gold Blend because it saves you time, which you can then use to hug your baby?

Answers on a postcard…

UPDATE: here’s the TV ad. Still makes not a quark of sense:

https://youtube.com/watch?v=NR9s_3zy-Ck



L’enfer du Nord: Paris – Roubaix. La Cote d’Azur et Saint Tropez. Les Alpes et les Pyrennees. Derniere etape Champs-Elysees. Galibier et le weekend.

Amazing tattoo artists.

The animals of Chernobyl (thanks, T):

The town that fistfights to summon rain (thanks, T).

Honest company slogans.

Skeletons of famous cartoon characters (thanks, T).

Nas and De La Soul freestyling on Westwood in 1996 (thanks, C):

Creativity in Japanese tattooing (thanks, T):

Learn to act with crazy Marlon Brando! (Thanks, J).

Hey, excellent TV writer! What’s the best thing you ever wrote? (Thanks, J.)



Side project, you basic bitches.

Friend and colleague Vicky Simmons writes:

 

Hi Ben, 

I’ve just launched my first Kickstarter. I’ve designed a range of travel bags that poke fun at the ridiculousness of the Kate Moss / easyJet story. I think she’s a bit of a don for slumming it, being herself and having a good time. It’s tongue in cheek but what the hell. I had fun writing them.

Here’s the crucial info and a couple of photos. If you like the project, I’d be thrilled if you could share it with whoever you think would be interested.

Thank you,

Vicky 

 

No, Vicky, thank you.

 

bag_basicBitch

sickbag_basicBitch



It doesn’t matter if you make a nicey-nicey ad for HSBC…

…They’re just such a massive collection of thundercunts that anything they now come out with just seems like a giant pair of fingers being shoved down your throat:

https://vimeo.com/130232144

Eg: when the man is sad on the floor of the lift I just wonder if he’s feeling some guilt at being connected to HSBC laundering money from Mexican drug cartels. And when he’s laughing with those Asian gentlemen it might be because they all benefitted from HSBC’s illegal tax avoidance schemes in Switzerland.

Disgusting.

Fuck off.



Another delightful piece of work from Media Arts Lab

https://www.youtube.com/watch?v=UDP1e17qDU4

And another tip of the hat to the ridiculously pleasant and talented folks with whom I work.



Know any female small business owners?

This is a great idea:

(Interest declared: the creatives, Amber and Lovisa, are friends of mine.)

But if you know anyone who might be interested in buying a poster (or ten), point them in this direction.