Month: November 2016

ITIAPTWC Episode 9 – Mary Wear

Has Nelson Mandela ever said one of your lines in Trafalgar Square?

Nelson Mandela addresses over 22,000 people in Trafalgar Square on behalf of the MAKEPOVERTYHISTORY coalition. He hands a group of school children his white band to be delivered with thousands of others to the leaders of the G8.

If not, that might be because you’re not Mary Wear.

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She wrote the line ‘Make Poverty History’.

And loads of great ads (see below).

As far as D&AD goes, she’s one of the best writers of her generation, rising to that position despite the colossal sexism of 1980s advertising.

So we talk about that kind of stuff, but also…

How Mary started as a ‘really bad’ secretary.

Then an ‘appalling’ account handler.

How she found the son of her favourite creative and persuaded him to be her art director.

What it was like to work for Dave Trott in the heyday of GGT.

And why Paul Arden made Dave Trott ‘look like a pussycat’.

Why getting married and having children can be the key to being a great copywriter.

How adding humour can improve copy immensely.

What it was like to work at AMV at its 90s peak.

The difference between working for Dave Trott and David Abbott.

Why it’s lovely to be better.

Why pregnant women disappeared at Saatchi and Saatchi but not at AMV.

The extent to which AMV was a ‘writerly’ agency.

How Make Poverty History came about.

How the final song of Live 8 was chosen.

Why advertising could do with more diversity.

What’s great about working in advertising today.

Why women with children shouldn’t be put off by working in advertising.

Here’s the chat, the iTunes link and the Soundcloud link.

ITIAPTWC Episode 9 – Mary Wear

And the work:

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If This Is A Blog Then What's Christmas?
If This Is A Blog Then What's Christmas?
ITIAPTWC Episode 9 - Mary Wear
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Because a vision softly creeping left its seeds while I was sleeping. And the vision that was planted in my brain still remains within the weekend.

Geometric sandcastles.

Good guide to stoicism.

Merry Critmas: save a turkey, roast a creative (thanks, D).

Excellent FML stories (thanks, T).

10 great MacGuffins.

Underwater fart in 120fps (thanks, D):

Excellent map of musical influences (thanks, B).

Bad estate agent photos.

Cut a bowling ball in half with water:

A world map of countries’ tourism endlines (thanks, D).

Drunk football (thanks, J):



FYI…

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(Thanks, D.)



ITIAPTWC Episode 8 – Emer Stamp

 

Emer Stamp…

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She invented (alongside Ben Tollett) the minute-long-tear-jerker-Christmas-retail-ad genre that has spawned so many substandard pretenders.

But before that she did unspeakable things to Alan Whicker, made Millets cool and left a fine chapter in the great tome of ridiculously good Harvey Nichols advertising.

And after that she wrote a much-read and much loved series of kids books that involved a lot of farting.

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She’s also a very nice person.

If you’d like to join our little chat you’ll learn all about the above, along with…

How and why Emer got into advertising in the first place.

Which Guinness ad (not Surfer) was responsible for getting her into the industry.

What it’s like waiting for a Tim Delaney review at 4am.

Why you should move when you feel like you’ve stopped learning.

The part Liz Harold (headhunter) played in her job moves.

Why she had to unpick some of the Leagas Delaney lessons.

Why the best bit of winning an award is waiting for your name to be called.

Why you should sometimes put off a great job for a year.

What to do when your star doesn’t want to appear out of a cow’s arse.

Why it’s hard to know if you’ve done an award winner.

Why getting out of your comfort zone can be the best thing for your career.

How that stupid 2008 fashion for spotting ads that were a bit like other ads made some people quite annoyed.

How John Lewis became ‘John Lewis’.

What it was like when Adam and Eve merged with DDB.

And how Emer managed the transition from CD to author.

Here’s the chat, the iTunes link and the Soundcloud link.

And here’s the work…

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If This Is A Blog Then What's Christmas?
If This Is A Blog Then What's Christmas?
ITIAPTWC Episode 8 - Emer Stamp
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We’ve had no rain in several days. (Hasa Diga Eebowai) And eighty percent of us have AIDS (Hasa Diga Eebowai). Many young girls here get the weekend.

Seven hidden meanings in works of art.

The world’s combines wealth is $241tn. What could you buy with that? (Thanks, G.)

Cool shadow artist (thanks, T):

I whistled for a cab and when it came near the license plate said ‘Fresh’ and it had dice in the mirror… (thanks, K).

Excellent high school text book doodles (thanks, G).

The best Joe Biden memes (thanks, G).

Funniest signs at Trump rallies (thanks, D).

Extreme Lego building dude:

Interview with Taxi Driver writer, Paul Schrader (thanks, T).

Some cool inventions.

Best of luck with the wall, Donald (thanks, C):

Tortoise Owen Wilson (thanks, R):



ITIAPTWC Episode 7 – Dave Dye Part Deux

Those of you who have listened to the Dave Dye Podcast (Episode 1) will be fully aware that we didn’t get that far into Dave’s career.

So I set up another call, fully intending to at least make it into this century.

Reader, I failed.

This podcast only covers Dave’s time at Leagas Delaney.

Fortunately that means we were able to go into detail on some of his best work, hear some fascinating stories and even analyse the merits of TV vs print, along with the following…

A very interesting first week.

The virtues of well-used stock shots.

How many briefs and minimum resources can lead to great art direction.

How to make great use of your rejected ads.

How a personal observation can lead to one of the most awarded print ads of all time.

A really interesting approach to getting an agency full of excellent original photography.

How doing lots and lots of art direction makes you better at art direction.

Why you should absorb as much as you can.

What to do when your boss is away and you’re approving your own work.

Then what to do when he comes back and isn’t 100% into the work you approved while he was away.

The vagaries of typography and the idea behind the art direction.

How referring to the Queen in the wrong way can get your agency fired from an account.

How you can write a TV ad, forget about it and have someone go away and make it, then come back and show you the finished article (that’s entirely wrong).

Why cracking the poster can be the key to a big campaign.

The differences between working on TV and working on print.

And how to track down an advertising legend for a podcast.

So here is the Soundcloud link to our chat, the iTunes link, and Dave’s most iconic Leagas ads, many of which we discuss (more info on Dave’s blog).

ITIAPTWC Episode 7 – Dave Dye Part Deux

 

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If This Is A Blog Then What's Christmas?
If This Is A Blog Then What's Christmas?
ITIAPTWC Episode 7 - Dave Dye Part Deux
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It ain’t hard to tell, I excel, then prevail, the mic is contacted, I attract clientele. My mic check is life or death, breathing a sniper’s death. I exhale the yellow smoke of buddha through the weekend.

The day hip-hop died.

250 introductions:

Guy photoshops himself into Kendall Jenner’s Instagram (thanks, A).

Amazing headstones.

Goths with chickens (thanks, T).

There are two kinds of people in this world:

Insults:



ITIAPTWC Episode 6 – Paul Burke

Hi there,

The other day I had the pleasure of chatting to Paul Burke, the King of Radio© who is also many other things, all of which can be found on his excellent website.

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He started in despatch at AMV via an awkward chat with David Abbott.

From there he embarked on an advertising career that… Hang on, I’m pre-empting this fascinating podcast.

For the ‘King of Radio’ he’s also been very good at TV (this contains one of my favourite lines: ‘Take over for a Bough will you moment?’):

He’s also written four novels, but we’re going to chat about that in a future podcast.

Just have a listen and you’ll find out about the following:

How Despatch can be better than the Creative Department (excellent article from Paul about that time here).

The real difference between creating radio and TV.

The consequences of advertising agencies failing to reward loyalty.

The pros and cons of working with John Webster.

What Frank Budgen was like as a CD.

How boredom can help you to keep your job.

Why happiness is gratitude.

Why radio is brilliant, and still very much alive.

Why radio ads are all about characters.

How to get a really good performance from an actor.

Two weird tips for making great radio (how’s that for clickbait?).

How to cast celebs.

Whether or not creatives are better than they used to be.

How to get past writer’s block and what it can teach you about life.

Why, as David Abbott said, there’s no output without input.

Here’s the chat, the Soundcloud link and a reminder that you can subscribe on iTunes (search ‘If This Is A Blog Then What’s Christmas’). I’d also like to offer a small apology in advance for a couple of small technical hitches. It’s 98% perfect, but I’m just going to cop to the other 2% now…



I’ve never seen the inside of a bar room or listened to a jukebox all night long, but I see these are the things that bring you pleasure, so I’m gonna make some changes in the weekend.

Film meets art (thanks, L):

Tammy Wynette slowed down sounds as good as Dolly Parton (thanks, T):

A fucking insane plane journey.

The five stages of inebriation.

Camera takes picture whenever dog’s heart rate goes up (thanks, G).

Famous album covers recreated with Star Wars characters (thanks, A).

Easy photography tips (thanks, G).

John Stewart on his twitter spat with Donald Trump (thanks, T):

Louis CK on the election: